Juxtapoz Magazine – Diego Moreno: In My Mind There is Never Silence

In Diego Moreno’s function there is a tense relaxed. A variety of mutism plagued by murmurs. All the things starts at dwelling: a domestic scene, a birthday, a spiritual ceremony. The family room in which numerous of us have developed up. However, a little something else is demonstrated in his photos, a thing that remains concealed in our loved ones albums.

In his photos, in principle day to day, the monsters unfold their mise-en-scène. Everyday functions coexist with another threshold of fact: a very little girl reads a guide following to a bearded being with an intriguing smile a small female with the experience of an previous girl poses in her initially communion dress a character with an eye out of its socket looks melancholically at her birthday cake. Acquainted bodies mingle with other bodies, alien and abnormal bodies, bodies that escape the norm.

These overflowing beings are the panzudos mercedarios, protagonists of a custom that has been celebrated for nearly a century in the neighborhood of La Merced, in San Cristóbal de las Casas, Chiapas. Diego finds these people a indicates to give voice and presence to a various corporeality, although recalling the memories of a childhood in which appreciate, isolation, and fascination for the anomalous configured a certain vision of the environment.

In the well-liked imagination, the panzudos, with their extreme character, their strident costumes and their unknown powers, materialize guilt and invisible sins. They are the scapegoats that carry in their deformity the mark of the evil of an whole genealogical line. In contrast, in Diego’s get the job done these characters are acquainted presences, subjects of affection and desire. They are the physique with its fluids, pains and abjection, but also with its affections and potencies

Their existence rarefies the space since it exhibits what a single needs to cover. The home is then reworked into a fairytale situation. A tale that, to an inattentive eye, could appear like a horror tale, or a video game of carnival costumes. Nevertheless, whoever usually takes the time to appear by the fearful mask of the monster will uncover a wonderful fragility. He will hear the faint but constant murmur of a further that does not match into classifications and syntax, that overflows modes of social and actual physical inscription. Diego’s monsters engage in, they do not disguise nor are they silent, they display themselves in all their monstrosity. They communicate with a number of voices professing their big difference. Thus, with their ungrammatical language, they refuse to be condemned to silence.

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