Juxtapoz Magazine – A Portfolio: RIP, Yayoi Asoma
It is with weighty hearts that we continue our A Portfolio sequence with the decline of the great painter, Yayoi Asoma. Her do the job was a refreshing illustration of memory, of residence, of the issues we obtain and obtain close to ourselves. We recall looking at her operate in the coronary heart of the pandemic and observing a distinctive domestic configurations that ended up equally fantastical, perfect and dense, someway solitary and however so alive. As mate and fellow painter Jesse Mockrin wrote on Instagram this 7 days of Asoma, “She altered the regulations of point of view to mirror the psychological and emotional maps our attachments to places build in us.” That is so accurate.
Asoma reported of her paintings, “My function speaks by means of the familiarity of the dwelling, in which spaces of our day to day life entwine with the memories and associations of our ordeals. Whilst a property is often referred to as a home, the notion of “property” is broader than a actual physical dwelling. House is typically a spot of refuge and protection. Residence is an working experience as a great deal as a specific position. Through my function, I am reflecting on the approaches in which we assemble our thoughts of selfhood and origin through the areas that we occupy—especially from our childhood household. On the most primary stage, I see my approach of painting as a style of remembrance, a memorial to the spaces that I at the time occupied and a preservation of the reminiscences imparted in them.”
We mail our best wishes to Yayoi’s family and good friends.
