March 3, 2024


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Open Studio: Sebastian Moody – QAGOMA Blog

4 min read
Open Studio: Sebastian Moody - QAGOMA Blog

Brisbane-centered conceptual artist Sebastian Moody talks about returning to operate at QAGOMA for his Open up Studio installation — and his formative encounters with Fluxus art at the Gallery — soon after nearly 20 yrs. Take a look at Open up Studio at the Queensland Artwork Gallery for insights into the inventive observe of present-day Australian artists.

Sebastian Moody introduces the Open Studio project

Mark Gomes: Open Studio, with its target on audience participation and inclusivity, shares an ethos with your get the job done, a ton of which has been created for general public spaces and employs language to check out how that means is established and shared. Does your Open Studio job purpose to connect people today in a related way?

Sebastian Moody: To commence with, I want to note that I labored as a Gallery and Visitor Companies Officer at QAGOMA practically 20 decades ago, and it is genuinely pleasant to be back. When doing the job at the Gallery — observing people wanting at art and imagining about what artwork is — I realised most people will come to artwork with what is now going on in their possess heads. For me, art’s often been a way to get persons check out to realize how individuals tips entered their heads in the 1st location. In this way, I think my do the job sits strongly in the custom of basic, 1960s ‘capital C’ Conceptual Art. What I’m making an attempt to do is get men and women to feel about how they make their aesthetic selections, how they interpret is effective of art.

Open up Studio: Sebastian Moody

Installation sights of ‘Open Studio: Sebastian Moody’

MG: Are there particular artists doing work in this vein you had been drawn to although investigating in the QAGOMA Investigation Library and discovering the Assortment for your Open Studio challenge?

SM: There are two most important artists. The initially is the Swede Bengt af Klintberg and his Orange function of 1963, which I first recall looking at on display at QAG when I was 17 or 18 in the Fluxus exhibition, ‘Francesco Conz and the Intermedia Avant-Garde’ (1997–98). It’s essentially an instructional do the job for peeling an orange and lining all the pieces up in a row: in other phrases, reworking a sphere into a line. I actually like the very simple poetry of it. A good deal of Klintberg’s is effective have simple guidance that, when you go through them, you kind of execute in your mind. Which to me is what Conceptual Artwork need to do. You do not have to have to make big public artworks — that’s what article-conceptualism is, when Conceptual Art was given a finances. Actually, it is ample to only think about these things.

The next artist is Alison Knowles, who labored in New York and was a founding member of Fluxus. She has a lot of educational will work, too, that illustrate what I signify. I imagine, basically, Fluxus was striving to show you that you could be an artist. That, to me, is inspirational. I imagine we’ve dropped that punk, emancipatory mindset, and it is time to renew it. Currently, Fluxus artworks are revered in textbooks, but do they stand up when you in fact adhere to by their instructions? Open up Studio is a superior justification for me to share these Conceptual artworks from the QAGOMA Collection with audiences, have them follow the instructions and stimulate an any person-can-do-it frame of mind. Like the Fluxus artists, I am interested in means of generating art wherever, as the writer, I really do not have to be liable for the function — the audience is.

Sebastian Moody spoke with Mark Gomes, Senior Editor, Print and Digital Media, QAGOMA in March 2022.

Bengt af Klintberg ‘Orange event no. 3 (1963)’

Bengt af Klintberg, Sweden b.1938 / Orange celebration no. 3 (1963) 1992 / Photo-screenprint on paper / 100 x 70cm / Reward of Francesco Conz via the Queensland Artwork Gallery Basis 1997 / Collection: Queensland Art Gallery | Gallery of Contemporary Artwork / © Bengt af Klintberg/Copyright Agency

Alison Knowles ‘Leone D’Oro (portfolio)’

Alison Knowles, United States b.1933 / Leone D’Oro (portfolio) c.1978 / Image-screenprint on paper / 18 sheets: 40 x 40cm (each individual comp) / Present of Francesco Conz 1991 / Collection: Queensland Art Gallery | Gallery of Modern Artwork / © Alison Knowles

QAGOMA Analysis Library

The QAGOMA Research Library’s exclusive collections are a rich supply of investigation product that contains exceptional and unique items to encourage and inform. Objects incorporate ephemera and objects (a frog pores and skin, a rubber duck) to LPs, artist books, unusual books, correspondence, and photos. Notable collections contain the Peter Tyndall and Robert MacPherson Correspondence Archive 1970–2014 and the Asia Pacific Triennial Archive as very well as a selection of Fluxus-associated methods.

Take a look at the QAGOMA Investigate Library on Level 3, GOMA from Tuesday to Friday, 10am to 4.45pm to take a look at textbooks, exhibition catalogues and additional .  Distinctive collections are available by appointment.  

Sebastian Moody discovering the Peter Tyndall and Robert MacPherson Correspondence Archive in the QAGOMA Exploration Library / left: Robert MacPherson, ‘Two Hand-Space’ Gloves 1982 ideal: ‘Hand-Space’1981 artist book / © Robert MacPherson / Images: C Callistemon © QAGOMA

‘Open Studio: Sebastian Moody’ is at the Queensland Art Gallery from 28 May possibly – 25 Sep 2022.

Highlighted Graphic: Sebastian Moody in ‘Open Studio’

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